“For how absolutely dynamic she was, her story has been undertold,” director Rachel Chavkin tells The Times. A hundred years later, this singular boldness pulses through “Lempicka,” a Broadway-bound musical that’s as ambitious and complex as the painter it frames onstage. The audacity to legitimize her own gaze - within her work, among her lovers, about herself - was groundbreaking for a female artist in 1920s Paris.
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